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From Publishers Weekly In 1988, Xinran (ne Xue Hue) was selected to work in state media and ended up at the Nanjing radio station, where she began broadcasting "Words on the Night Breeze" a year later. The show featured letters and calls from ordinary women discussing their problems, and was hugely successful and revelatory, as women had few avenues, public or private, for talking about their lives, which were frequently grim and often harrowing. Xinran quit the show in 1995 to try to help her listeners directly, but by 1997 she had burned out. She persuaded the radio station authorities to let her travel to England, where she began teaching Chinese, met and married English book agent Toby Eady and wrote this memoir of her experiences on the program, including a compendium of some of the most painful of the "Night Breeze" stories. She presents narratives from women who live "in emotionless political marriages" and those, the majority, who struggle "amid poverty and hardship." They have commonly experienced sexual abuse: rape, frequently gang rape. Apparently designed to bring the women's horrific stories to light, the book doesn't do enough to situate them clearly in the context of the show as a state-produced product, or within Xinran's own difficulties in processing and presenting the material on the air (or in this book). The results will leave readers sympathetic to the grave enormity of the women's circumstances, but-due perhaps to minor translation problems and Xinran's lingering political worries-somewhat confused about how Xinran tried to deal with their plights.Copyright 2002 Reed Business Information, Inc.
From The New Yorker In 1989, Xinran, a Beijing journalist, began broadcasting a nightly program on state radio that was devoted entirely to personal affairs—a radical concept in Communist China. In response, she received thousands of letters from women, many with questions about sexuality; one woman wondered "why her heart beat faster when she accidentally bumped into a man on the bus." Eventually, Xinran persuaded her superiors to let her share some of these letters on the air, and in this groundbreaking book, written after she moved to London, in 1997, she has also included stories that didn't make it past government censors. A teen-ager commits suicide after learning that a neighbor has seen her boyfriend kiss her forehead; a university student speaks casually of becoming a "personal secretary," or mistress, to a rich man; a Kuomintang general's daughter goes mad after witnessing the torture of the family that sheltered her. This intimate record reads like an act of defiance, and the unvarnished prose allows each story to stand as testimony. Copyright © 2005 The New Yorker
From Booklist When an assailant cornered Xinran just outside a London trainstation and demanded that she hand over her purse, the author foughtferociously to keep her belongings. Cash and credit cards were not atthe source of her tenacity; it was the manuscript lying within titledThe Good Women of China . Its loss would have been emotionallydevastating to Xinran because writing the tragic true stories ofChina's forgotten women had been a spiritually debilitating experiencethat she could not endure again. The book took root while Xinran washosting a daily radio show in China. She knew that through thecenturies the female population had been kept uninformed about issuesof sexuality and that China's political mayhem had on so many levelsneutralized emotional affection. As Xinran shifted the focus of herprogram to women's issues, she began to receive letters from herfemale listeners that told of unspeakable horrors and unbelievablypainful lives. The Good Women of China is a moving compilation ofthese stories that will bring even the hardest of hearts totears. Elsa GaztambideCopyright © American Library Association. All rights reserved
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